/ CONVERSATION 2018 / Anteo Palazzo del Cinema
MON 24/09, 5.00 PM, ROOM RUBINO
#FFFMILANOFORWOMEN / with CAROLINE CORBETTA, ALINA MARAZZI and VICKY LAWTON
CAROLINE CORBETTA works mostly as a freelance curator, and she has two main obsessions: bringing contemporary art to a wider audience and finding talented young artists. Thanks to her inclusive and broad range, Caroline Corbetta was given the artistic direction of the Expo Gate pavilion (at Expo Milano 2015) and for the CREPACCIO project. Caroline also produces exhibition catalogues and articles for magazines such as Vogue Italia, Domus, Ventiquattro (Il Sole 24 Ore), Frieze, Flash Art, to name but a few.
Expogate, July 2014, view from Piazza Castello.
IL CREPACCIO INSTAGRAM SHOW, open 24 hours, October 2017 – today.
Installation view, SOLO by Thomas Braida, Palazzo Nani Bernardo, Venice Biennale 2017
ALINA MARAZZI is a documentary, feature film and theatre director, whose main focus is the quest for female subjectivity and the use of memory’s images. “Un’ora sola ti vorrei” (2002) was her first feature essay documentary. It was made using family archive footage and helped established her poetic style; later she directed “Per Sempre” (2005), which followed the lives of secluded nuns, the feature film “Vogliamo anche le rose” (2005), a documentary about women experiencing sexual liberation in the 1970s, “Tutto parla di te”, a feature film about the dark side of maternity starring Charlotte Rampling. Her documentary, “Anna Piaggi, una visionaria nella moda” (2015), is a portrait of the iconic fashion journalist.
Still from Anna PIaggi, una visionaria nella moda, 2015, by Alina Marazzi.
Still from Per sempre, 2005, by Alina Marazzi.
Still from Un’ora sola ti vorrei, 2002 , by Alina Marazzi
VICKY LAWTON has worked for world-renowned photographer Rankin for the last nine years, as the art creative director of shoots for international brands and superstars. In 2011, Rankin launched Hunger Magazine, and, with Vicky as its Creative Director from day one, this fashion and culture biannual has grown exponentially. In 2013, Rankin and Vicky launched The Full Service, an in-house creative agency. Through her photography and directing work for Hunger, Vicky has rapidly established herself as a bright light in the new wave of female directors.
Still from Valentine’s Day, 2018, Agent Provocateur by Vicky Lawton.
Still from Chanel Cruise – Ready, Set, Go!, by Vicky Lawton
Still from Jil Sander – Point of View, by Vicky Lawton
GLORIA MARIA CAPPELLETTI has built a reputation as a pioneer in digital art, and through her well-regarded namesake Gloria Maria Gallery, has shown and supported some of the most influential digital artists of our generation, often quite early in their careers, such as Petra Cortright, Rafaël Rozendaal and Amalia Ulman. Agent for the International photographers agency Management Artists since 1999, she has been managing the likes of photographers and directors Steven Klein, Stephane Sednaoui and Daniel Sannwald to name a few. Proud Curator of the Fashion Film Festival Milano, Cappelletti is also the Editor at Large of i-D.co Italy since 2013, and Creative Director of VICE Fashion & Luxury Group Italy, the full service creative agency by VICE Media, which covers research, strategy, creative development, production, content distribution and activation worldwide.
Picture by Eugenio Recuenco beloved by Gloria.
One of Gloria’s favourite cover of i-D magazine.
Gloria’s Avatar in AlterSpace Virtual Reality.